The catalyst has been a combination of practical initiatives: Herzen State Pedagogical University of Russia in St. Petersburg is launching summer and winter schools for students from BRICS countries, as reported by Rosbalt, while business and HR trends in the creative economy were synchronized at the BRICS+ Fashion Summit in Moscow, as communicated by Trud. Together, these point to a shift from "soft power" symbolism to infrastructure for attracting students, experts, and investments.
This opens a channel for early recruitment and linguistic-cultural adaptation of prospective BRICS applicants to meet the needs of Russian universities and employers. The Rector of Herzen Pedagogical University, Sergey Tarasov, explained that the project agreements were reached at the forum of rectors from Russia and BRICS countries. The schools will serve as a showcase of Russia's educational processes, history, and culture, and can lead to subsequent university studies, as reported by the portal "Saint-Petersburg.ru" citing TASS.
What is changing in practice?
Dagestan is solidifying its course towards entrepreneurial cooperation through a memorandum of strategic partnership with the International BRICS Forum. The document was signed by the head of the region, Sergey Melikov, and the forum's president, Purnima Anand, as reported by "Golos stepi."
The mechanism of the agreement is aimed at rapid conversion of "soft power" into deals:
They set strategic guidelines: strengthening protectionism in textiles, transitioning to circular fashion, and accelerating the digitalization of design and retail. These points were discussed in the business program of the BRICS+ Fashion Summit, as reported by Trud.
As emphasized at the summit, local cultural codes are an asset for brands and buyers, and the development of local ecosystems is becoming a priority, as communicated by Trud.
"Currently, of course, it is gratifying to see an incredible number of talented, young, modern individuals who draw their inspiration from our classics… This has all become incredibly popular and in demand, not only among creators but also among buyers."
Within the summit's technological framework, specifics were presented: according to data cited by participants, 75% of fashion industry companies now require 3D design and AI skills (McKinsey assessment), algorithms predict color trends 30% more accurately than humans (WGSN), and AR and blockchain are increasingly influencing purchasing decisions and supply chain transparency. Simultaneously, demands are growing for "hybrid" professionals and circular models, as reported by Trud.
Festivals and forums involving experts from BRICS countries are expanding knowledge exchange and audience reach, including online broadcasts. For example, the 12th International Festival of Children's and Family Films "Zero Plus" in Tyumen brought together programs from over 30 countries and hosted the 8th International Forum "Cinema Pedagogy" with participants from Russia and BRICS countries, as communicated by "Tyumenskaya liniya."
The scale and distribution "digitize" the effect: a week of screenings, specialized workshops, business participation (including industrial companies), and access through the zeroplus.tv platform expand reach and create entry points for partnerships in content and education.
At the level of cultural figures' initiatives, inter-country literary institutions in the BRICS format are also being discussed. Writer Zakhar Prilepin has publicly spoken about such projects, as reported by "Altayskaya pravda."
Conclusion: BRICS educational and cultural projects in Russia are transitioning to applied channels – from schools and festivals to memorandums with regional teams and industry summits. For businesses, this signifies an opportunity window in recruitment, production localization, hybrid sales, and content education – provided proactive engagement with protectionism, staffing, and the ESG agenda.